Marco Giusti on Dagospia: The Search for the Lost Readings of Giuseppe Ungaretti in “Odissea” Television Series
After many years, I am still on the hunt for the lost readings of Giuseppe Ungaretti, which opened every episode of the television series “Odissea”, directed by Franco Rossi and Mario Bava. The series, which aired in the 1968, told the epic story of “The Odyssey” by Homer, with Bekim Fehmiu as Odysseus and Irene Papas as Penelope.
Those who have witnessed the series, and in particular its striking use of language, will remember the verses of Ungaretti as an integral part of the narrative. His choices were bold, conveying a sense of urgency and drama, adding layer upon layer to the scenes depicted on screen. The words of Ungaretti became an integral part of the story, as if they had been written specifically for the screen.
Ungaretti's readings were a unique aspect of the series, distinct from the traditional adaptations of “The Odyssey” that had come before. His poetic language brought a new dimension to the classic tale, giving it a contemporary and modern feel. The poet's words became a part of the story, transforming the characters and events of the ancient epic into something more universal and relatable.
The series' use of music and poetry was not limited to Ungaretti's readings alone. The score, composed by Giorgio Gaslini, was a vital component of the production, blending traditional and modern elements to create a soundtrack that was both haunting and beautiful. The combination of music and poetry added depth and emotion to the scenes, elevating them from mere storytelling to a true work of art.
The search for the lost readings of Ungaretti is a fascinating one. Many of his works have been preserved in archives and libraries, but the specific recordings used in “Odissea” remain elusive. Their value lies not only in their historical significance but also in their artistic merit. The readings offer a unique insight into the creative vision of both Ungaretti and the directors of the series, Franco Rossi and Mario Bava. They represent a crossroads of poetry, music, and cinema, a true masterpiece of Italian television production.
For those who were fortunate enough to witness “Odissea”, the search for the lost readings of Ungaretti is a nostalgic journey, a trip down memory lane to the world of 1960s Italian television. For those who came later, the search is an opportunity to rediscover a unique piece of cultural history, a testament to the power of art to transcend time and medium.
In the end, the search for the lost readings of Ungaretti is not only a quixotic quest but also an homage to the creative genius of the Italian television series “Odissea”. In a world where similar productions are often lost to the sands of time, “Odissea” remains a shining beacon, a symbol of the power of art to unite, inspire, and elevate.